A while back, I wrote a post about using sentence function to pace your novel. Today, I want to get into story pacing on a scene-level instead of a sentence-level. There is a weird correlation between your words on the page and the reader’s perceived passage of time, and it’s Read more…
No story is complete without interpersonal conflict between characters. Every person is different, and some people just don’t get along. Usually, those people just avoid each other, but good stories are full of conflict. So what do you do if you want to write about two characters who clash? You Read more…
I want to address three emotions that often get intermixed and, therefore, confused in writing. Surprise, tension, and suspense are all beneficial to a thrilling plot line. Each have their strengths and weaknesses, and, by understanding these, writers can find ways to weave them into their plots for maximum effect. Read more…
People say setting, character, and plot are the three main aspects of stories, but I want to point out the ugly stepsister in the corner. Exposition. It gets a bad reputation in the writing world, and that’s because most don’t do it the right. Exposition is the explanations inserted into Read more…