Are you familiar with the concept of character identification? Readers say they identify with a character. Agents send rejections based on the fact they couldn’t identify with the protagonist. There seems to be some magic ingredient that makes or breaks a character, but the reason for the attachment often varies. Read more…
I recently dove into studying how to write better descriptions and imagery in books, and I learned just how many different types of figurative language are available to us. It’s overwhelming! Today, I want to go over seven different types I’ve found to be helpful. Some will be very familiar Read more…
There is a lot of advice on how to write a story’s climax. While many sources state you must have an internal change in the protagonist right before or during the external plot’s climax, very few focus on how to create that change. It’s essentially the climax for the internal Read more…
Somehow, I’ve gotten years into writing these posts and have not done one on external and internal story arcs. I reference these all the time so I’m sure my followers have grasped the meaning of these terms, but I want to take the time to explain these arcs and their Read more…
After studying first pages and opening scenes for books, I realized I’ve never discussed how to write a good last line for a story. Most writers can just feel when a good ending line hits them, but there are specific types that most authors use. If you are stumped or Read more…
Last week we discussed your character’s subjective image of himself, and now I want to talk about how and when to expose your character’s core self. We all have an ideal self-image we try to portray to the world, but in moments of high pressure, the truth will slip out. Read more…
In this week’s Character Under a Microscope post, I want to zoom in on a character’s image. Specifically, her self-imposed image. While everyone has a persona that society sees, it’s not always the truth. Let’s look at a person’s subjective image and five categories to consider when you are creating Read more…
When I started writing professionally, I was terrible at story openings. So much seemed to rest on how well you started a book that I overthought it. After numerous revisions, I’d end up with what would equate to something wrapped in silver duct tape and bright Christmas lights. It looked Read more…
A while back, I wrote a post about using sentence function to pace your novel. Today, I want to get into story pacing on a scene-level instead of a sentence-level. There is a weird correlation between your words on the page and the reader’s perceived passage of time, and it’s Read more…
In my first six months of writing these posts, I put out a list of five books every writer should read. I still stand by that list, but I’ve been building my library of writing craft books and think it’s time to share a few more gold mines I’ve discovered. Read more…