Today’s post is the start of a four-part series on worldbuilding for science fiction and fantasy books. If you write in a different genre, you may still find this information helpful in your brainstorming. You won’t have to invent all Read more
You have a shiny new idea for a book, but how do you make that idea into a story? Most people start with whatever excites them most. If you like worldbuilding, then you may start with a setting idea. Or Read more
When people talk about putting conflict in a story, they often discuss how to create it or intensify it. Hardly anyone addresses how to resolve it. I think most people just assume there is one option: the character overcomes it. Read more
Every story is about overcoming obstacles in your protagonist’s way to her goal. There should be numerous obstacles to face throughout the book, and you’ll need various types to make it seem more realistic. If the only issue the protagonist Read more
The last character detail I’m going to cover this round for Character Under A Microscope is manipulation. That’s right, I just went there. Every person, regardless of how good he is, manipulates other people to get what he wants. It’s Read more
This week, let’s take a deeper look at character motivations. What makes the characters act like they do? Writers are often told to give characters goals, but along with those goals come motivations. Why do they want those goals? The Read more
I want to start a new ongoing series on my website called Character Under A Microscope. There are so many things you can consider when creating characters that I think it needs an in-depth study. I don’t want to burn Read more
Aristotle coined the word catharsis, which is defined as purging of powerful negative emotions through dramatic art. It occurs when someone empathizes with characters. When those characters overcome their negative emotions, the reader overcomes those emotions with the characters, but Read more
I want to address three emotions that often get intermixed and, therefore, confused in writing. Surprise, tension, and suspense are all beneficial to a thrilling plot line. Each have their strengths and weaknesses, and, by understanding these, writers can find Read more
Have you ever heard someone talk about purple prose? When I first started branching out to learn more about writing outside of a hobby, I was flummoxed by the term. It seemed to have a negative connotation, but that’s all Read more